It is apparent from the start that the bizarre narrative fine art that constitutes David has inherent potential. it's another matter that it's, at best, solely part completed. Yet, in the end, writer-director Bejoy Nambiar delivers a movie that he will be pleased with, even a lot of therefore than of djinny.
Soaring, stylized, scruffy, aggressive and sharp by turns, David is rarely low on energy.
It plays around with a large vary of emotions, from the extraordinarily intense to the oddly amusing, from the flightily romantic to the strictly familial.
It is concerning retribution, love and forgiveness - that's what every of its father-son stories severally deals with. because the film repeatedly moves from grandeur to the absurd, it courts the danger of careening out of management. Mercifully, it doesn't.






